Gerta runs...

...directly from the finish room to the stage she has come and wants to celebrate. All the people are already there, but where is the committee? Gerta plunges into each new episode with great commitment and whimsical slapstick, and what she encounters is like a magic bag. Every moment she enters another world, sometimes appearing as a diva or a magician, only to disappear again and to twirl across the stage as a ballet dancer with her wonderfully poetic dance...

Play and story: Judith Salome Weingartner
Piano: Tobias Künzli
Director: Bernard Stöckli


Note: This text was translated by machine translation software and not by a human translator. It may contain translation errors.